It starts with a sketch based on the film's story. I consult with the director, build inspiration, and a sound pallet.

The sketch is tailored to fit the scope of the film. This includes a spotting session with the director, where we plot the timestamps of where music vs. silence will go. After a consultation and spotting, the creation of the score can begin. I generally seek feedback throughout this process as needed.

The third stage of the scoring process depends on budget. If allowed, a live recording session can be set-up. I produce a physical score and sheet music for an ensemble to perform in a live recording studio. If budget is tight, this is where I finalize mastering the mix of a synthesized score.

LogicProX

I have a Bachelor's degree in music education. As I connect with more artists in the industry, it is apparent to me that schooling does not dictate the quality of an artist. Hard work and dedication do. I value both.

I do believe in independent learning and training. Most of my knowledge about scoring comes from music technology and theory classes in undergrad, documentaries about musicians and composers, YouTube tutorials, and just listening to as many music genres (past and present) and film scores as possible.

For now, find me on YouTube & Spotify!

I operate on a sliding scale to best fit the film and the needs of all parties in collaboration. Please contact me to inquire about services.

My primary instruments include piano and French horn. However, as a middle school band director, I understand the basics of most wind instruments. I also have minimal training on the guitar, ukulele, percussion instruments, and the pipe organ. I dabble.

I have been listening to film scores and watching feature length movies since I was a child. When I become immersed in concert band, I started to listen to film scores on my own. Some classic favorites include great composers such John Williams, Ennio Morricone, James Horner, and Hans Zimmer.

My personal style is comparable to minimalist writers such as Thomas Newman, Phillip Glass, Dustin O'Halloran, and Rachel Portman. I am also deeply inspired by fellow female composers such as Emily Bear, Natalie Holt, Raphaelle Thibaut, and Kathryn Bostic.

With that said, I am not stagnant as an artist and find my best work emerges when I challenge myself and the expectations of music composition and cinematic techniques.